The Role of Setting and Landscape in “Mrs. Dalloway” and “On the Road”

â€Å"Mrs. Dalloway† by acclaimed writer Virginia Woolf is a fascinating abstract piece with a few unmistakably striking highlights. The creator uses a continuous flow procedure records ‘the particles as they fall upon the psyche in the request in which they fall†¦ following the example, anyway disconnected†¦ in appearance, in which every episode scores upon the consciousness’ (Woolf, 1) to draw out the deepest contemplations of the characters in a way which adequately weaves together the components of memory and time.Prior to the mid twentieth century invented writing had accentuated the power of plot and nitty gritty depictions of the characters and the settings, with externalities filling in as the most critical defining moment in the story, viably constraining the deepest activities of the characters’ brains to a progressively optional job, for the most part that of giving the inspiration to the outer events in the plot. Running contrary to th e natural order of things, Woolf’s refinement of the continuous flow method †the portrayal of various cognizance waiting around a locus †is certainly one of her enduring commitments to the scholarly world, as confirm by her novels.In â€Å"Mrs. Dalloway† the plot can be depicted as created by the internal existences of the characters, for example Mrs. Dalloway and Septimus, whose natures are uncovered through the recurring pattern of their feelings, impressions, contemplations and emotions. This thusly viably changes the somewhat common occasions in their lives into the unprecedented, especially as their cognizance seems to slip in and out through time conceptualized not just as a direct arrangement of occasions yet in addition as cyclical.Focusing on the two unmistakable universes of the essential characters †charitable London society lady Clarissa Dalloway with a steady life in London’s high society and youthful Septimus Warren Smith thought to be experiencing a metal tribulation achieved by the departure of a companion in World War I †the novel investigates their appearing to be equal manners of thinking notwithstanding contrasts in social station and the way that they didn't have any acquaintance with one another and had never met, inside a solitary memorable day in June.Both seem to encounter thrilling movements in their temperaments, shockingly like sessions with hyper wretchedness which Woolf clearly experienced: significant satisfaction over the basic magnificence of spring and the presence of its new, small leaves, troubled fear over what they see as the on-surging of time, alert over their approaching destruction, and what must be depicted as obvious blame over the wrongdoing of being human with its going with sensibilities, mindfulness, disappointments and shortcomings.In the finishing up section of the book the peruser discovers Clarissa at long last being familiar with the character of Septimus after death when his recognized doctor’s spouse discloses to their entertainer Mrs. Dalloway the purpose behind their lateness †the self destruction of a patient prior in the day, driving her to inside comment that ‘Here is demise, in my party’ (Woolf, 108). A top at Mrs. Dalloway’s mind uncovers a somewhat determined comprehension of the affectability, despair and eventually rebellion attacking her emblematic double.In praiseworthy abstract design, in spite of all occasions occurring inside the 24-hour length of a solitary day, the setting and scene seem, by all accounts, to be successfully satisfactory for the story to unfurl. The apparently liquid nature of time the creator uses permits the easy weaving of the characters’ considerations from the present to the past and the other way around, permitting the crawling up of musings about what's to come. In spite of the cornucopia of thoughts coming to fruition in the characters’ minds and the emotion s such musings inspire, the smart utilization of time bestows request to the ease of contemplations, recollections and experiences populating the universe of Mrs. Dalloway.Big Ben that apparently strong image of a solid England sounds out the progression of time for a really long time, a consistent suggestion to the characters agonizingly mindful of the hold of time over their lives. However when the hour is ringed, the sound vanishes as though its â€Å"leaden hovers broke up in the air† †connoting the transient idea of time which a great many people in their vigilant fixation on time despite everything neglect to comprehend. Woolf capably presents the idea of time not just as having a straight character yet a round perspective to it too when the peruser is acquainted with the old lady singing a similar melody for an appearing forever at the Regent’s Park Tube Station.In terms of the visual scene, the creator catches the excellence of a London summer day in June with the plentiful pictures of trees and blossoms in the story. The assortment of blossoms showing up all through the content is reminiscent of the characters’ transitory feelings. In the initial pages of the book, the peruser is familiar with Clarissa Dalloway on her way to the bloom shop.Clarissa, profound and significant in her considerations, delights in the excellence of blossoms and trees, while the stiffer, all the more detached individuals from the English foundation prepared in the specialty of holding their feelings in line constantly are spoken to as ungainly in the method of dealing with roses (Richard regards the bundle of roses as though it was a weapon while Mrs. Bruton had all the earmarks of being at a misfortune with the blossoms offered to her, in the end stuffing them into her dress, the gentility and effortlessness of the motion astounding even herself) and conventional in their selection of sprouts †roses and carnations as picked by Richard and Hugh .In tune with the intelligent tone of the novel, the critical bounty of trees with their expansive root frameworks seem to connote the broad reach of the human spirit, even as the two heroes wage their very own fights in a battle to secure their spirits. The component of water showing up in the characters’ liquid considerations as on-surging waves brings out pictures of the washing ceaselessly of the old to be supplanted by the new in an interminable pattern of the waves lapping at the shore (the presence of which increments in force until it arrives at the shore, just to blur into another), for example demise as the destiny anticipating us all.Set against the foundation of post-war London, conventional English society is introduced as though a tide pulling down the individuals who neglect to adjust to the squeezing changes tormenting England, and one such setback was Septimus Warren Smith who had at last neglected to acknowledge and comprehend his endlessly modified solid so cial real factors following the finish of the war and the unsalvageable scarring of humankind.In differentiate, Clarissa seems to have explored the dinky waters of London high society honorably (a â€Å"silver-green mermaid† in Peter Walsh’s eyes) yet underneath the facade of devoted spouse and mother is a related soul who relates to Septimus and his desire to battle against the severe weights of society, endeavoring to find some kind of harmony among protection and open correspondence with the huge individuals in their lives. In the last examination, she won't surrender to the allurement herself, and veers away from the outlet picked by Septimus.In a comparable way to that of Virginia Woolf, the American essayist Jack Kerouac, who established the supposed â€Å"Beat Generation†, could likewise be considered as a pioneer as far as commitments to the abstract field. Despite the fact that Kerouac was of an alternate age and classification from the English creator, the two offer the similitude of conflicting with show in their own lifetimes in an offer to attest their own thoughts on making scholarly pieces. His epic â€Å"On the Road† could be portrayed as an endeavor to rouse perusers to go out there and hold onto the day †â€Å"Carpe diem!† as the French say, so to talk †and live life.â€Å"On the Road† we meet the youthful, fairly naã ¯ve essayist Sal Paradise and Dean Moriarty, whom the storyteller depicts as â€Å"tremendously energized with life† in their experience gallivanting around America to test the restrictions of their â€Å"American Dream.† Various settings, for example a humble community in rustic Virginia, a jazz joint in urban New York, a Mexican prostitute house,  and scene are used by the writer in their full degree to give the peruser pictures of the USA and its new-world miracles †urban wildernesses, lethargic towns, the American provincial wild, immense breadth of pa stries †the main substantial association between them being the street, the requirement for an age to escape their appearing controls constrained by space, to break out and look for opportunity unchained by any forced from-above conviction, suppositions or ideology.These young people, overpowered by the absence of satisfaction and the superseding feeling of edginess in their lives caused them to feel that â€Å"the just activity was go,† giving the stimulus to look to their very own opportunities, the delight of which they found in sex, medications and jazz music. For Sal, â€Å"†¦life is blessed and each second precious,† which may maybe represent Dean appearing â€Å"to be doing everything at the equivalent time† as a dread and attentiveness of death seemed to frequent the pack in their visit all through America (â€Å"†¦death will surpass us before heaven†), showed by dreams of an extraordinary soul trailing after them over the desert of life.Yet this dread didn't keep them from carrying on with their life not held by the influence of realism, that â€Å"mad dream-snatching, taking, giving, murmuring and biting the dust to make sure they could be covered in those terrible burial ground urban communities past Long Island.† As their movements together reach a conclusion, Sal and Dean end up in the neediness stricken city of Mexico, where among the houses of ill-repute, barefooted elderly people ladies, and straightforward suppers, Sal sees that â€Å"[b]eggars rested enveloped by

Berth and Birth Commonly Confused Words

Billet and Birth Commonly Confused Words The thing billet alludes to a spot to rest (as a rule on a train or boat), a spot for a vessel to secure, or a people spot or position in a group. As an action word, billet intends to bring something (generally a boat) into a spot where it can remain. The thing birth alludes to the appearance of a child (that is, the rise of a baby from its moms body) or to the start of something. As an action word, birth intends to be conceived or to offer ascent to something. Models Around evening time, the seats arranged to shape the lower compartment. The upper swung down on pivots from the divider. The upper billet contained the covers, cloths, beddings, and cushions for both beds.(Rudolph L. Daniels, Trains Across the Continent: North American Railroad History. Indiana University Press, 2000)When a boat shows up at the port, the organizers must choose where to compartment the boat for the emptying and stacking of containers.[Curt Siodmak] found a task at Paramount Pictures revising the content for a Dorothy Lamour sarong adventure. He at that point found a compartment at Universal Pictures, which represented considerable authority with sickening dread movies.(Lee Server, Encyclopedia of Pulp Fiction Writers. Realities on File, 2002)An outdooring is the principal African transitional experience. It generally starts at day break, eight days after the childs birth, and allows loved ones to see and welcome the most current soul.(Maya Angelou, All Gods Children N eed Traveling Shoes. Arbitrary House, 1986)The actuality is that ladies can develop and birth a kid autonomously of the dad. Unfortunately, an expanding number of ladies in our advanced social orders are constrained to do precisely that.(Aviva Jill Romm, The Natural Pregnancy Book. Divine Arts, 2011) Maxim Alert: Give (Someone or Something) a Wide Berth [This maxim means] to get well far from or maintain a strategic distance from (a person or thing): I generally give the recreation center a wide billet when Im out around evening time. [A nautical idiom―a billet is the measure of room fundamental for a cruising boat to move safely.](Elizabeth McLaren Kirkpatrick and C.M. Schwarz, The Wordsworth Dictionary of Idioms. Wordsworth Editions, 1993)If Vito was dazzled by his new schools scholastics, he gave a wide compartment to its extracurricular exercises and is eminently missing from his sophomore and junior yearbooks.(Michael Schiavi, Celluloid Activist: The Life and Times of Vito Russo. College of Wisconsin Press, 2011) Practice Exercises (a) throughout the entire existence of development quite a while perpetually passes between the ____ of a thought and its acknowledgment in practice.(H. W. Dickinson and Arthur Titley, Richard Trevithick: The Engineer and the Man, 1934)(b) Give a wide _____ to settling winged animals, creatures with youthful, and untamed life that is utilizing a water source. Don't hesitate to watch these wild occupants of the desert, however do as such at a conscious separation with the goal that your essence doesn't upset them.(Erik Molvar and Tamara Martin, Hiking Zion and Bryce Canyon National Parks, second ed. Globe Pequot, 2005)(c) McDowell helped me stroll back to the boats debilitated inlet, a little _____ isolate with boards of solid canvas.(Paul Dowswell, Powder Monkey: Adventures of a Young Sailor. Bloomsbury, 2005) Answers to Practice Exercises (a) throughout the entire existence of creation quite a while constantly passes between theâ birthâ of a thought and its acknowledgment in practice.(H. W. Dickinson and Arthur Titley, Richard Trevithick: The Engineer and the Man, 1934)(b) Give a wideâ berthâ to settling flying creatures, creatures with youthful, and natural life that is utilizing a water source. Don't hesitate to watch these wild occupants of the desert, however do as such at an aware separation with the goal that your quality doesn't upset them.(Erik Molvar and Tamara Martin, Hiking Zion and Bryce Canyon National Parks, second ed. Globe Pequot, 2005)(c) McDowell helped me stroll back to the boats wiped out straight, a smallâ berthâ walled in with boards of solid canvas.(Paul Dowswell, Powder Monkey: Adventures of a Young Sailor. Bloomsbury, 2005)

Announcing the Winner of the 2018 ServiceScape Short Story Award

Announcing the Winner of the 2018 ServiceScape Short Story Award ServiceScape is pleased to announce the winner of the 2018 Short Story Award: Connor Sassmannshausen. Connor is an American author based in Australia. She writes everything from drama to sci-fi and fantasy. Along with short stories and novels, she also writes screenplays and works on film sets.Connor Sassmannshausen is the winner of the 2018 ServiceScape Short Story Award.You can find her winning submission below. We hope you enjoy it as much as we did and we look forward to reading more of your short stories for our 2019 Short Story Award.Of Damsels and MobstersBy Connor SassmannshausenOrion sat at the bar in his favorite club, waiting for his girl to take the stage. Well, his was a bit of a stretch, or a lot of a stretch. Ruby was one of the many performers in The Grimm, the hottest jazz club on this side of town. And she had no idea he existed. Didnt stop him from dreaming, though.She wasnt like the other girls. She kept her sleeves long, but her skirt was just as short as the res t. And her voice was like an angel, and god, there she was. Her blood-red hair was all done up in finger waves, he thought they were called, with a headband that may as well have been a halo. Her dress sparkled in the stage lights, as she began to sing.He ordered another drink but quickly returned his gaze to his girl.As the night wore on, he drank a number of drinks, waiting for Ruby to finish her set. Finally, she stepped down from the stage and cut through the crowd to the bar. Orion threw back what remained of his whiskey and made his way over to her.He stopped beside her, as she took the drink the bartender gave her. He made himself lean against the bar, trying to be suave. His hand missed the bar, and he stumbled, catching both himself and her gaze. He could feel his cheeks flame with embarrassment, and she laughed at his expense.Well, now that Ive made a complete fool of myself, he said, straightening his jacket, I guess I cant do any worse.I bet you still could. Ruby smiled into her drink. But you have my attention, so, I guess thats what you were going for.He rubbed the back of his neck. Im Orion, and I…um…I really liked you singing.Most people who vie for my attention like my singing, or my voice, or my hair, or my eyes, or my legs.Your legs?You would be surprised what men say when theyve had too much to drink. Especially when they think they deserve my attention, or that my attention means Ill fall into bed with them. So, what do you want from me?Orion opened his mouth, but nothing came out. He willed words to flow.Well?I…um…I hadnt thought this far. Honestly didnt think youd give me the time of day.Her laugh rang in his ears, a more beautiful sound than hed ever heard. He expected her to walk away, but she slid onto the stool beside him, keeping her eyes on him. I guess you might be worth a bit of my time.He laughed, nervously, and he knew he sounded ridiculous. How was she going to take him seriously unless he pulled himself together? He f lagged down the bartender and ordered another whiskey. He drank half before turning back to Ruby and her amused smile.I have to say, youre a first for me. She finished off her own drink and set the glass aside. And the nerves are adorable.He bristled at her words. He wasnt adorable. What kind of man wanted a woman to think hes adorable? He should be strong, confident, sure of himself… but, hadnt she said others had been like that, and shed never given them a glance. He looked her over, realizing hed been standing there, silent for longer than he should have, and his cheeks burned once again. Ill just go. He turned away, only to stop when her hand grasped his arm.Arent you even going to ask a girl to dance? She picked up his whiskey, throwing it back. God, that was beautiful.She slid her hand down his arm to take his hand. The world seemed to fall away, as she led him onto the dance floor. He tried to steady his shaking hands as he pulled her against him. She either didnt notice or pitied him enough to keep quiet.A new song began, a much slower melody floating through the air. Ruby led more than he did, but he couldnt bring himself to care. The woman of his dreams danced in his arms when countless other fellas had tried and failed.Are you going to ask me on a date? Ruby asked him, lifting her gaze to meet his.Huh? was his intelligent response, and again, he felt his cheeks flush.She laughed, stepping closer. Alright, then, Ill take the lead, again. So, she had noticed. Take me out to dinner. Monday night Im free. Pick me up outside the club. Ill wear something nice.No sooner had he nodded, then she disappeared into the crowd.Well, that hadnt gone as planned.Orion walked through the streets early the next morning, off to visit his mama for Saturday breakfast. The memory of last night was clouded by the many drinks hed consumed, but he still remembered her.Ruby had spoken to him, to him, had danced with him, had demanded a date when hed been too shocked to get the words out. God, he hoped it wasnt the drink messing with him.He saw a couple of men walking toward him, side by side, decked out in long coats and trilbies atop their heads. Normally, they wouldnt have caught his attention, but something about them set him on edge. He paused as they didnt shift to the side, but separated to allow him to move between them. He hurried his steps to pass between them, but hands like iron grasped his arms and pulled him down the alley. He stumbled over the garbage and uneven ground until his back hit brick.I dont know what you want, fellas, he said, straightening his jacket, but you got the wrong guy.One of the thugs pointed a finger in his face. Youre the one taking Ruby Blakesley out on Monday. How could they possibly know that? Then again, there had been dozens of people at The Grimm last night. Someone had to have overheard.And if I am? He tried to sound confident when really he was terrified. The Wolf requires your services.His blood ran cold. T he Wolf was the biggest, baddest mob boss in the city. No one who ever saw the man made it out alive, save those in his service. He was ruthless, bloodthirsty, and no one crossed him. His men were always around and appeared when they were needed, while he remained shrouded in mystery. Despite the horrible reputation, women and children were known to garner his good will, and abusers were likely to meet a poetic end.So, what had Ruby done to anger The Wolf?I just want to take a girl on a date, Orion told them. I dont want trouble.You stepped into trouble the moment you laid eyes on her. The gangster shoved a gun into his face, a Colt if his very limited view of the barrel was correct. You can take her on your little date, you take her to Grannys Diner on Fifth. After, you tell her to wait outside, while you take a leak. Well take it from there.What did a sweet girl like her do?The two gangsters laughed, and the second spoke for the first time. Sweet? How do you think a girl like her ends up singing at the hottest club in the city? Shes got debts she aint paid up. And she aint easy to find outside of being on that stage. Wed take her there, but the owners in good with the boss. Cant hurt his business. Sides, the news of a singer going missing will be all the buzz, which means more business.Well make this choice easy for you. The first gangster waved his gun in Orions face. You either hand her over and well let you live, or we kill you, then, get her anyway. Well give you a couple days to think it over. But if she aint outside Grannys on Monday, well have our answer.And they left him there. What was he going to do?He stayed in the alley for a few minutes, calming down, trying to figure out what to do. Best he could think of at the moment was getting to his mamas for breakfast, else she send half the neighborhood searching.Before he knew it, his feet had taken him along the well-traversed path to his childhood home, without realizing hed taken a single step. His m ama barreled out the front door, with a shrill cry of joy. He forced a smile onto his face, as she kissed his cheeks. It had only been a week since they last saw one another, yet she always acted like hed been gone for years.Mama tugged him inside forcing him into a chair in the sitting room with Gran and Poppy. Orion sighed, tipping his head back and closing his eyes. Gran chuckled, and Orion looked over at her.I know that look, she said.What look? Orion asked.Youve got a look of a man in love. She dazed him with a smile. Your Poppy had that same look with me. What sort of trouble is your girl in?Orions back stiffened. What makes you think shes in trouble?Poppy let out a sharp bark of laughter. No young man looks so troubled and in love if the gal aint in trouble, boy. Your gran, she was always in trouble, attracting the wrong sort of fellas. I got myself punched a few times standing up for her, but she was always the one I wanted. They shared a glance that held so much love and af fection, Orion looked away.Orion stood outside The Grimm Monday night, waiting on Ruby to make an appearance. When she stepped around the corner, he couldnt take his eyes off her. She was in a dress far different than any shed worn before. The pale yellow made her hair seem all the brighter as it framed her face. Gone were the jazz star, the sparkles, and the finger waves. Shed always seemed so worldly inside the club, but out here, dressed like that, she was the picture of innocence. Had he not already made his decision regarding The Wolf, she would have done it for him.She sent him a dazing smile, one he couldnt help but return, despite his nerves. Where are we headed? she asked, taking his arm.Its a surprise.Alright, lead on.They walked down the street, and she told him all about the area, most of which he already knew, but he humored her. He led her away from Grannys Diner, away from the danger, to a place called The Woods. Upon seeing it, her face lit up with a smile. Ive alway s wanted to come here.He opened the front door for her, letting her step inside first.Dinner went well, in Orions opinion. Ruby never stopped smiling, and he didnt make a complete fool of himself. They walked down the street, taking in the bustling evening. Even on a Monday, the jazz bars were abuzz with patrons, and music floated through the air.Ruby stopped on the sidewalk, taking his hands as she smiled up at him. I had fun, tonight. Would you want to do this again?He was about to answer when gunfire erupted. A car drove by, with two gunmen firing out the open windows. At them. Orion all but threw Ruby down behind a parked car, covering her as best he could.Once everything was once again quiet, he peeked out, seeing no sign of the gangsters. He pulled Ruby to her feet, ignoring her terrified babble, as he dragged her through the streets. They made it to his apartment, which would get any number of rumors spread about them, but he didnt care so much as wanting her safe.He pushed h er gently into a chair, wracking his brain to recall what to do for someone in shock. He wrapped her in a blanket, before telling her he was going to the kitchen, but it fell on deaf ears. He dug through his cabinets, hoping for some tea, but he knew he never bought any, and hed run out of coffee the other day. Hot water would have to do.He returned with a cup of hot water for Ruby, forcing it into her hands. I need you to drink this.After a few sips of water, she blinked up at him. What was that?Why is The Wolf after you?She gulped another mouthful of hot water. I dont know. Her gaze followed the mug.The two thugs that approached me seemed to think you owe him something. When she didnt answer, he continued. For getting you the job at The Grimm. Again, no answer. And they seemed pretty intent on having you, or killing you.Her wide eyes lifted to his. How do you know that?They tried to get me to hand you over tonight.She set the mug on the table and put her head in her hands. When my father died, they told me I inherited his debt. And in order to pay it off, they got me the job at The Grimm. I never gave them anything. You know the stories, The Wolf never harms women and children. I thought Id be alright, theyd just let it go.What kind of debt?I dont know. I never asked.Orion stood, extending his hand. Let me get you something to change into. He dug through his drawers, pulling out the most comfortable sleepwear he owned. Ill let you get changed. He turned to leave but stopped when she took his wrist.She stepped toward him, kissing him hard. Hed dreamt of this more times than was decent, but he pushed her back gently. This isnt a good idea.She pulled away, a look of hurt on her face. Do you want me now?He smiled, tugging her closer again. Im still here, arent I? I just dont think its smart to kiss you when youre not thinking straight. Youre in shock. I dont want to take advantage of that. He kissed her forehead. Get some sleep. Ill be on the couch if you need a nything.The next morning Orion woke to a crash in the kitchen. He hurried in to find Ruby picking up a pan lid from the floor. When she saw him, she jumped.I didnt mean to startle you, he said.She laughed. I didnt wake you, did I? I was trying to make breakfast before you got up.He looked her over. She was still dressed for bed, but her hair looked as flawless as ever. Her giggle brought him out of his thoughts.You should do something with your hair.He felt his face burn, and he hurried to the bathroom. Sure enough, one side was sticking out at all angles. He hurriedly tamed it and went through his morning routine.When he made his way back into the kitchen, Ruby had scrambled eggs, fried potatoes and toast waiting for him. He sat down across from her.So, what are we going to do about last night?Which part, the kiss or being shot at by The Wolfs men?Both, really.She reached over and took his hand. Thank you for stopping. Not many men would have. But I hope a second date is coming, de spite all this.His heart leaped. Id like that. But there were more pressing matters.As for The Wolf? She picked up her fork, starting on breakfast.I dont know. He followed her lead, starting on the food she prepared. You could go to the police.She gave a humorless laugh. Everyone knows half the citys police are in The Wolfs pocket. Ill either have to deal with The Wolf or get out of town.Orion stepped into Rubys apartment, looking around for any sign of intruders. She pushed past him. I need to change and pack.He sat on the couch, as she busied herself in her room. When she came out again, she was dressed in strange fashion, but not a hair out of place. She wore a black pantsuit, with a red belt around her waist and a white jacket. She sat her bag on the floor and tore through the kitchen, looking for something. She tugged out a ragged-looking book, with a smile. As she turned back to her bag, she knocked a glass off the counter, and it shattered on the floor.Orion stood quickly. Il l clean it up. You finish packing.He found a hand broom, sweeping the shards of glass into the dustpan. He was about to stand when the sound of a gun being cocked right behind him froze him in place.Get up slowly. The voice belonged to a man.Orion stood, keeping his hands out to the side. When he turned around, he found four gangsters in the apartment. One had an arm around Rubys stomach, pinning her arms, while he covered her mouth with his other hand, keeping her quiet.Were gonna go for a little ride, said the man with the gun pointed at Orion. No funny business, or well shoot you.Orion did as he was told and was loaded into the back seat of a car, trapped between his captors, while Ruby was taken to another car. It was a long ride, but he knew the streets. They doubled back a couple times, likely to confuse them. Why, he didnt know. Everyone knew where to find The Wolf. Soon enough, they pulled through the gate of The Wolfs manor, with its sprawling yard and gardens. His escorts ordered him from the car, and they hustled him inside, where Ruby was shoved into his arms.They were led through the giant house, and, in any other situation, Orion would have marveled at it. But his attention was locked on the woman he held against his side. They stepped into a study of sorts, with a desk of dark wood and an extravagant chair. The doors slammed shut, leaving them with a number of guards.The door opened again, and another man entered. Well, well, Miss Blakesley, its wonderful that you decided to accept our invitation.Orion tightened his grip on the woman beside him. It wasnt so much an invitation as a kidnapping.The man, The Wolf, settled his gaze on him. Yes, the enamored suitor, who dont know whats good for him. You shoulda just handed her over to us, and you coulda gone on with your life. What will your mama think when you disappear? Or your precious Gran and Poppy?Orion bristled. Leave them out of this.The Wolf shook his head. They aint a part of this, but you a re. Ill give you one last chance, kid. You can leave, now. I got no quarrel with you. You walk away and leave little Ruby to pay her debt to us.Orion tugged Ruby farther behind him. The Wolf pulled out a gun and pointed it at his head. Orion gulped, taking a shaky breath. The Wolf pulled the trigger, and the gun clicked on an empty chamber. The Wolf grinned and put the gun down on the desk. He poured two glasses of what looked to be whiskey before he turned back to them.He took a sip out of one. I think he passed.Ruby stepped around Orion, taking the glass The Wolf held out. Better than I expected. She rounded the desk, straightening the papers. She glanced up at Orions look of confusion. She shrugged off the jacket, to reveal her whole arms to him for the first time. Over her left shoulder and upper arm lay a tattoo of a wolf. She sat in the chair, leaning back. Men like women with a pretty face. I needed someone who would stay when whats beneath isnt so pretty.Orion finally found his voice. So, everything was fake? It was all a show? A test?And you passed beautifully. Blood-red lips pulled back into a smile with a flash of teeth, so different from the flirty ones hed become accustomed to at The Grimm. The smile of The Wolf. So, about that second date?